Nail Director: Karon McKendrick-Taylor for OPI
INSPIRATION
About the collection:
“Floral, ’50s- and ’60s-style, soft and feminine.” Read the rest of this post
Nail Director: Karon McKendrick-Taylor for OPI
About the collection:
“Floral, ’50s- and ’60s-style, soft and feminine.” Read the rest of this post
Nail Director: Gina Schacht for OPI
About the collection:
“High shine. A futuristic vibe with a throwback to the ’90s.”Read the rest of this post
Nail Director: Karon McKendrick-Taylor for OPI
Two nail designs chosen matched the decorative headpieces. “Aurelio requested this look. He’s got a deconstructed range of clothing, so this deconstructed nail works well with his line,” said Karon McKendrick-Taylor.
About the collection: “The Aurelio Costarella girl is to look like a “living painting”, with plump, moist, angelic skin.” Read the rest of this post
Nail Director: Gina Schacht for OPI
About the collection:
“There is a play of dark and light in this collection which marks a more luxe direction for Bec & Bridge. Inspired by Eastern and Japanese culture and specifically the motif of the ‘coy fish’, the collection features fish scale prints and velvets, light and reflective textures and fabrics.”Read the rest of this post
Nail Director: Ali Magliveras for essie
“the nail colours play on good versus evil with blanc representing purity and licorice harnessing darkness and betrayal. The addition of no place like crome adds an element of Avant- garde for a truly unique nail look” Read the rest of this post
Hair Look: Messy Marilyn
Hair Director: Richard Kavanagh for Redken
For the hair look at Kate Sylvester, Redken Hair Director Richard Kavanagh wanted to relate the look back to the collection, “I wanted to tie in the lace detail from the collection into the hair with a really nonchalant braid.”
“The inspiration for this look was based on two things. First, we all got together and just had a brainstorming session for what we thought were the coolest looks out there. It’s a nice creative process and it also brings us together as a team,” says Redken Hair Director Richard Kavanagh. “Secondly, Kate’s collection was actually based on Bert Stein’s portrait of Marilyn Monroe – ‘The Last Sitting’. It’s not a typical, done-up Monroe image. She actually looks really effortlessly and naturally sexy, hair slightly mussed. We wanted to represent that cool essence as well as the Americana vibes happening in the collection.” Read the rest of this post
Hair Director: Renya Xydis for Cloud Nine
It’s “50’s inspired, but it feels more like 2050” says Lydia Pearson.
Renya Xydis and her Cloud Nine army of session stylists whipped up a frenzy of colourful hair piled high on top of model’s heads in an artfully dishevelled up-do inspired by Hitchcock heroine Tippi Hedren’s icy blonde French roll in ‘The Birds”. Read the rest of this post
Makeup Director: Liz Kelsh
It’s “50’s inspired, but it feels more like 2050” says Lydia Pearson.
Backstage at Easton Pearson, Max Factor Makeup Artist, Liz Kelsh created a “super modern domestic goddess” that focussed on fresh, beautiful skin and bright pops of colour of the eyebrows. Read the rest of this post